A Shoebox of Stories

A little online home for my short stories and other bits and pieces.

You can visit my new website at: www.shoeboxofstories.com

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When I was a kid I can remember a local fair coming to town. I was too small to go, so I stayed at home drawing pictures while my Dad took my older sister along to see what it was all about.  They came back a few hours later with a variety of badly made tartan ‘gonks’ and also a strange, brown cylinder that was completely unfamiliar to me.

  ‘This is for you Son,’ said my Dad.

  ‘Wow,’ I said, all thoughts of gonks and other cuddly toys disappearing as I took hold of this new treasure.  
  ‘What is it?’ I asked.

  My Dad paused as he looked down at me and the over-sized coconut I held in my hands. Then he smiled and answered.

  ‘It’s an elephant egg,’ he said ‘and,’ he added ‘if you look after it for a week, a baby elephant will hatch from it!’
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I did my best to keep the elephant egg warm for the rest of the week, instructing my sister to take care of it whenever I had something important to do like visit the bathroom or leave the house, until one day the egg vanished.    I never found out where it went. I never got my elephant. I suppose my Dad just ate the coconut one day when he got bored of the joke. I didn’t really mind. 

  By that point he was already filling my head with other stories; pointing out the giant television transmission station view-able from his allotment garden and identifying it as Santa Claus’s holiday home, or drawing my attention to the giant cooling towers we passed on a bus trip into town and revealing that they were, in fact, factories where the world’s supply of clouds were manufactured.

  Every night when I went to bed he would tell me stories about characters he had made up during the day, but which I assumed to be entirely real. These were not traditional fairy stories he had read in a book but detailed, multi-part adventures that would continue over several nights and hooked me more than most television shows of the day did. When I got too old for bedtime stories he started giving me books to read instead and it’s through him that I discovered Ray Bradbury, Stephen King and numerous other authors I admire and love. 

  He was, and is, a passionate conservationist and lover of wildlife and as a child he took me on countless walks through our local woods, pointing out the various things we passed on route. On numerous occasions I can remember him handing me a sweet as we sat hunched behind a tree waiting to see if any badgers would pop their noses out from the sets he knew so well (and guarded fiercely against anyone he might encounter disturbing them). It’s from him that I inherited my own love of nature and interest in wildlife conservation.

  As a boy, it seemed to me that he knew everything and although, as an adult now older than he was when I was born, I can appreciate that he frequently filled in the gaps with make-believe nonsense or things he felt were simply more entertaining than the truth. That was his job. He was my Dad and he was building a sense of imagination and wonder for the world within his children.

  Let me tell you something else about him. He was and is a proud man. A former steelworker left redundant during Thatcher’s decimation of the North east of England throughout the eighties. He largely rejected bitterness (although he hated Thatcher to her death) and instead sunk the free time he had into giving his children the best role model they could have hoped for during those tough economic times.

  When he did get back into work, he was forced to take employment for less than what now exists as the minimum wage and, in doing so, was required to work twelve hour shifts, seven days a week to make ends meet.  In retrospect I can see what a terrible time this must have been for him, but he never cried about it, he did what needed to be done to support his family; the people he loved and cared about most in the world.

  I can remember just a few years ago sitting with him watching the late night news where the reporter was giving a eulogy about the former Newcastle United footballer Gary Speed, who had tragically committed suicide earlier in the week. It was an emotional report given extra gravitas for the attachment it carried to the team we both followed.

  I could feel myself welling up as I watched the report but I found myself fighting back tears, as I didn’t want to cry in front of him.  I remember looking across at him to see if he had noticed and seeing him sitting there arms folded, his lower lip trembling, his own eyes full of tears…fighting exactly the same battle as me.

  And this is why I won’t show him what I’ve written here.

  Because that’s the relationship we have; We call each other on Skype and he asks me if I saw a particular goal in the football which is his way of saying “I miss you, Son” and I reply and tell him about some silly thing that happened to me on my travels which is my way of saying “I miss you too, Dad.”

 And the next time I’m back visiting we’ll probably sit on the sofa laughing about something amusing some relative or neighbor did which is our way of saying “Hello, it’s good to see you again.” And he’ll eventually go and get some book or record that he dug up from a local charity shop and start telling me about it, which is his way of saying “I love you, Son” and I’ll listen to him talk about it, which is my way of saying “I love you too, Dad.”

  And neither of us will say anything of the kind. And both of us will know, just the same.

  So, Happy Fathers Day, Dad and thanks for the childhood that you gave me.

  I think we both know that it was never about an elephant for either of us.

Posted at 6:21pm and tagged with: one column, father's day, family, love, dad,.

In the bedroom of my apartment is a desk that I write at when I’m not teaching, working or otherwise being pestered by geckos. Overlooking the desk hangs a print that I have become very fond of.

The print, beautifully illustrated by the talented Shaun Lynch, shows the heart of a famous rock and roll star and it was originally commissioned to accompany a short story I wrote called ‘Fool’s Gold’: a story that appeared in issue 8 of Novel Magazine.

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I wrote the story and Shaun illustrated it because a magazine existed that was willing to publish them; willing to take a chance on a little known writer and an up and coming artist who wanted the exposure.

The magazine existed because of a bold, courageous young man named Lee Halpin who, frustrated by the lack of such a platform for creative people in his region, went into business for himself and created the platform we all needed.  After he published my short story, Lee commissioned me to write another piece for the following issue and then invited me to contribute as a regular to the magazine.

I first met Lee, in person, at a launch party for the magazine. I found him to be a charming, delightful man, wise beyond his years and exuding a magnetic cult of personality overflowing with warm, good natured humour. I met up with him several times after this, chatted to him regularly online and was always flattered and humbled by the interest he took in my writing which he used not only in his magazine but also on the radio show he hosted.

I last saw him in early January, just before I left England for Vietnam, at one of the earliest meetings of the fledgling Save Newcastle Libraries group. As ever, he brought energy, organisation and his trademark enthusiasm along with him.  Lee lived and breathed Arts and Culture. He loved the North east and he loved writing and literature most of all, so it was no surprise to bump into him at such an event. As the meeting closed, he invited me for a drink to discuss the future of the magazine, something I unfortunately had to decline due to an early appointment the following day. I could never have imagined then that this would be the last time I would see him.

On Saturday morning, five minutes before I was due to teach English to a class of Vietnamese children, I received a message via Facebook informing me that Lee had passed away.

He was 26 years old. 

I taught the lesson on auto-pilot, sleepwalking through the motions and then went home to properly absorb and digest the news.

Ever active, I learned that, prior to his death, Lee had been filming a documentary he hoped would highlight the serious problems of homelessness in the North East of England. Ever true to his journalistic beliefs, he had taken a no holds barred approach to reporting not just the story but to embracing the world of the those he was reporting on.
As I write this, it is believed that on his third night of sleeping rough with Tyneside’s homeless community, Lee succumbed to hypothermia in temperatures that had dipped well below zero, and died of the extreme cold.

I have struggled for the best part of the weekend to understand the senselessness of his passing. He was a young man destined for the brightest of futures and moving at light-speed through a career in media and the arts, always engaged in one passionate project after another, with a smile and a warm genuine handshake for everyone he met. Now he is gone I feel empty for his passing but proud to have passed, ever so briefly, through the brilliant flare of his imagination.

Lee, I would love to write for you one last time and I would love even more to go for that drink with you and hear what projects you were planning next. I can never do the latter now, so this is my attempt at the former. I hope I didn’t exceed the word limit again, buddy..

I’m proud to have known you, Lee; Proud to have called you my friend and proud to have made art with you. 

Rest peacefully, Big Man. Your passion and your friendship will never fade away. Your smile will live forever…

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More on the documentary Lee was making before his death can be found here:

http://steppingoutsidefilm.wordpress.com/

Work on the documentary continues as does the important job of highlighting the problem of homelessness that Lee was trying to give exposure to through his final project.

Posted at 11:37am and tagged with: one column, lee halpin, friendship, homelessness,.

An astronaut told me a story recently. He popped into my head during the sleepless hours of the early morning and told me about the things that had happened to him since he came back to Earth.

I wrote down his story the next day from memory and it can be read (along with many others) by clicking on this link or by visiting the short story section of the website.
I hope you will enjoy it and I hope I’ve put him to peace by writing it down for him. Here it is, in full.

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The astronaut came back to Earth and everybody was pleased to see him.

  He barely had time to remove his helmet and crawl out of the landing pod into the hot white heat of the desert, before flashbulbs were blinding him and men in white hazard suits were slamming him on the back and congratulating him on his journey.

  ‘You must be glad to be back, Sir.’ they told him.

  For a second, he caught a glimpse of the hot blue sky arcing out above him, before he was bundled unceremoniously into a jeep and quickly driven away.

  Later, from a decontamination booth, he faced the press and their multitude of questions. He expected that they would have all sorts of queries but he was surprised by what they actually chose to ask:

  What was the food like in space?

  How did he go to the toilet up there?

  Had he seen any aliens on his journey?

  Had he seen God?


  The astronaut took a long pause to thoroughly digest the questions and then he answered with as much enthusiasm as he could find.

  He told them that the food was adequate but rather boring.  He explained to them that he went to the toilet in much the same manner that they did.  He revealed that he had neither seen nor heard from aliens on his journey and neither had he met God.

  The press seemed disappointed.  One of them asked him which baseball team he followed and he told them that he liked the Red Sox.  The press seemed happier with that and wrote it down in their jotters.

  ‘You must be glad to be back,’ they told him.

A little while later, after he had been decontaminated, debriefed and was able to leave quarantine; the astronaut was moved into a hotel in the city, where he got to see his wife for a few short hours. His wife told him that, while he had been away, the neighbour’s dog had died. She went on to ask his advice on the best way to fix the washing machine, which had developed a fault while he was up in space.  She also reminded him that the lawn would soon need mowing.  The astronaut waited for his wife to ask him some other questions, but it seemed that was all she had for now.

  ‘You must be glad to be back, Dear,’ she said.

  Over the next few weeks the astronaut conducted a series of television interviews where he was introduced to a round of applause from the studio audience and asked a variety of questions by the hosts. The questions were mostly about his toilet activities in space and his thoughts on the Red Sox’s potential in this year’s World Series.   
  
He told the hosts that he hoped the Red Sox would do well but explained, to gentle laughter, that he was somewhat out of touch with the game of baseball. He didn’t know why they laughed. He hadn’t been telling a joke.

  The hosts, meanwhile, nodded understandingly.

  ‘Well,’ they said ‘you must be glad to be back.’

  For a few years afterwards the astronaut lived quietly in his former home town. He mowed the lawn and he fixed the washing machine and when it broke again in the summer he bought a new one. Now and again he watched the baseball and checked on the Red Sox’s progress but he found that the game had somehow lost its fervour and that it no longer held his interest in the same way that it once had.  Occasionally, he would bump into old acquaintances about town who would ask him what he had been up to.

  ‘I’ve been up to space,’ he would reply and the acquaintances would look at him in the way one might examine a particularly tricky quadratic equation.

  ‘Oh yes,’ they would say, silently wondering about how he went to the toilet up there. Then they would start a new conversation, usually about baseball.  ‘You must be glad to be back,’ they would offer, reassuringly, as they bid him good day.

  One day, the astronaut went back to Mission Control. He phoned ahead to tell them he was coming and was given a hero’s reception.

  ‘What can we do for you?’ said the head of the space programme.

  The astronaut told the head of the programme that he would like to go back into space. He told the head of the programme that he would like to go back into space as soon as possible and on the next available mission.

  The head of the programme gave him a peculiar look and asked him whatever for. The head of the programme explained that space was now ‘a young man’s game’ and that there would be no need for him to ever go back into space again.

  ‘Besides,’ said the head of the programme ‘you were away so long, you must be glad to be back.’

  So the astronaut went home again and loaded the dishwasher and helped his wife finish a crossword.

  A few months later, the astronaut sold his house in the city and moved out to a ranch near the desert. His wife moved with him and for a few years they lived together in their new home. By day he would ride horses and by night he would sit out on the porch and look up at the stars. By and by he would note the distant flare of a rocket, a new mission, perhaps, sending younger more able men up into space.

  When his wife passed away, a few years later, the astronaut opted to stay in the ranch, alone. He wasn’t up to riding horses anymore and so he read long science fiction novels instead. One morning he read a dispiriting newspaper report about the anniversary of the space mission that he had returned from all those years ago.  It seemed that the space exploration business was not now a young man’s game, nor was it an old man’s game, instead it had become a robot’s game. There were fewer and fewer rockets fizzling up into the darkness of eternity and the industry seemed to be quietly disassembling itself, neatly packing its bits and bobs away in a warehouse, to wait for a time when it might be useful to someone once again. 

  At the bottom of the article was a picture of the astronaut, looking young and happy. It was accompanied by a little sub-article profiling the astronaut himself. It talked of how, following the initial celebrity he had enjoyed on his return to Earth, he had become something of a recluse, refusing to talk about the mission or give interviews to the press; even the ones who asked him about baseball.  It talked about the existence of various organisations who now believed that the astronaut had never really gone into space, preferring the theory that the whole space programme was nothing more than a governmental fabrication, filmed in a television studio and designed to win votes at an election.

  The astronaut quietly folded up the newspaper as he put it in the trash. Then he phoned the delivery service to cancel his subscription.

  Later that night he sat alone on his porch, looking out towards the desert as he often did. Above him the constellation of Vela sparkled in the inky void and he pulled a blanket over his knees to keep back the encroaching cold. From far in the distance he thought he heard a sound; a low, quiet rumbling. Perhaps it was the sound of equipment being neatly packed away into a soon to be forgotten warehouse, or perhaps…perhaps it was the roar of one final rocket. Perhaps, it was a rocket full of people like him; people who were fed up of being told they must be glad to be back. Fed up of being asked inane questions about things that didn’t matter by people who couldn’t understand where they had been and what they had done.

  The astronaut closed his eyes and thought about being on that rocket. He thought about the texture of the cold, steel control panel at his fingertips, the heat of the cabin rising as it shook, hearing the noise and vibration all around him as the engines shuddered into life.

  Softly, his lips trembled out a final countdown.

  Five…

  Four…

  Three…

  Two…

  …

  The next morning the sun rose into a new sky and in the evening the Red Sox won the first game of the series.

Posted at 10:14pm and tagged with: astronaut, space, short story, travelling, spaceman, one column, neil armstrong, nasa,.

This article that I wrote earlier in the year originally appeared in print in issue 9 of Novel Magazine. I’m giving it a timely reblog here as an attempt to inject a note of sanity into the “end of the world” nonsense that is reaching fever pitch as we approach the end of the Mayan Long Count Calendar on 21/12/12. It’s a brief explanation of what the Mayan Calender doesn’t mean and an antithesis to Hollywood hysteria.

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 The old man wrinkles his brow and a smile creases his lips. The question is familiar and he has become used to fielding it.

  ‘In this crazy, western culture,’ he explains, ‘when something comes to an end it’s always negative, but this is not the case in the Maya culture. We understand that at the end of one cycle we need to pray for something better in the next.’

  The speaker is Humbatz Men, self proclaimed shaman and day-keeper of the Mayan Council of Elders. He is conducting an interview via YouTube, addressing, once again, the question of why so many of us now associate the Maya with prophecies of impending doom.


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  There are questions hanging over Men’s authenticity, online accusations denounce him as an opportunistic Mexican named Cesar Mena Toto, yet, authenticity aside, his frustration over the modern fictionalisation of the Maya still adequately illuminates the pseudo-understanding many now hold towards this ancient civilisation. 

  When I mention to friends that I am writing about the Maya, I receive my own glimpse into this window of confusion. 

  ‘Didn’t they predict the end of the world in 2012?’ asks a friend.

  ‘Yeah, it’s in their calendar.’ agrees another.

  Everybody seems to know something, but nobody seems very sure of exactly what it is.

  Delving deeper into the facts, it’s easy to see just how much of our knowledge actually originates from science fiction. Over a decade ago, when The X-Files named 21/12/12 as the date of its projected alien invasion, it set a precedent within sci-fi for plundering Mesoamerican culture for interesting artefacts, in this case the Mayan ‘Long Count Calendar’, and embellishing them with fictional properties. Ten years of pop-culture mythology have followed, injecting this potent blend of myth making into western consciousness, culminating with the ultimate piece of historical reinvention; Roland Emmerich’s, bandwagon-jumping, disaster flick, ‘2012’.


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  Yet, in the background, lurks the one thing that we can be certain will end on the date in question: The Mayan ‘Long Count Calendar’.  Removed from its fictional qualities, the calendar is a real historical document; one that can only be properly understood by looking more closely at the Maya themselves and, in particular, the way in which they conceptualised time.

 The Maya were an advanced Mesoamerican civilisation, skilled in the use of written language and adept in mathematics and astronomy.   Like the Aztec and the Inca, the Maya believed that the flow of time was cyclical, with naturally recurring patterns that could be used to predict the success or failure of future events. Such cycles were a dominant theme in their creation accounts and became a preeminent theme in their society, influencing the ascension of rulers and the battles that marked their history as a people. If a successful battle coincided with Venus in its ascendency, then the Maya could calculate when this astronomical phenomenon would next occur and plan future battles to synchronise accordingly.  For this reason it was of critical importance that they were able to plot and calculate these cycles with pinpoint accuracy.

  Informed by their astronomical observations, the Maya built calendars around ‘counts’ of variously alternating length. A 365 day solar count, or Haab, was mapped into a calendar containing 52 cycles. This ‘Calendar Round’, mirroring the life expectancy of an average Mayan, was an effective tool for plotting and recording linear events within a generation. However, when the Maya needed to plot events over longer periods of time, something greater was required. It is this ‘Long Count’ calendar which has entered into our modern consciousness and whose end has become so closely associated with an impending apocalypse.

  Perhaps the basis for this paranoia lies in the question of why, unlike the Gregorian calendar, the Long Count has a fixed end date at all. The answer is, almost certainly, mathematical.     

  The sequence by which the Maya calculated and recorded time is complex but can be broken down as follows: One day was called a K’in. Twenty K’in made one Winal. Eighteen Winals made one Tun. Twenty Tuns made a K’atun and, finally, Twenty K’atuns made one B’ak’tun. For those still following, this makes one B’ak’tun equivalent to approximately 394 solar years. Again, following the cyclical interpretation of time, there were thirteen B’ak’tun’s within one Long Count. As each one ended the Maya celebrated the end of a cycle and the beginning of another.

  The ‘Long Count Calendar’ begins at a fictional creation date now identified by academics as corresponding roughly to the 11th of August 3114 BC. It ends thirteen B’ak’tun later at the now infamous date of 21/12/12.  This misinterpretation of the Long Count as a countdown is most likely what first set alarm bells ringing among conspiracy theorists. Our inherent fear of the cessation of millennia-spanning practises appears to have enhanced our paranoia that this ancient civilisation was counting down towards some huge event.  The problem, of course, is that in reading the calendar in this way we are viewing it through modern eyes; eyes used to appreciating time as a linear construct, with a firm beginning, middle and end. However, as we’ve already seen, this isn’t how the Maya viewed time and, as a result, isn’t necessarily how we ought to interpret their calculations.

  So what did the Maya think would happen when the final B’ak’tun ended and the cycle of the ‘Long Count’ was complete?

  It’s difficult to answer with any firm degree of certainty. The Spanish Conquest of Yucatán during the 16th century saw almost all Mayan texts destroyed. Those that remain; the famous codices of Madrid, Dresden and Paris, do not provide any firm answers, although scholars tend to agree that apocalypse is not on the cards but rather that, as one calendar ends another will begin; such is the nature of cycles.

  ‘For the Maya, it was a huge celebration to reach the end of a cycle,’ concurs Susan Noble of Mesoamerican research organisation FAMSI and, despite his apparent dislike of western organisations offering their interpretations, Humbatz Men appears to agree.

  ‘What happens when the calendar ends?’ he asks rhetorically, ‘Another cycle begins…it’s never-ending, it’s not about finish [sic] everything. One calendar has a connection with another.  Look at my eyes,” he grins with the allure of a hypnotist “I am Maya, these other things…they are just stories.”

  Maybe this is our problem; we love stories so much that we have come to prefer them to the truth. In this case, the stories win an easier victory because, whatever Fox Mulder might have to say about it, the truth, in this instance, simply isn’t out there; it was burned and incinerated by Spanish flames five centuries ago and now exists  only in fragments and the inherited folk tales of the Mayan people.  It’s why we face up to 21/12/12 knowing only what the long count almost certainly isn’t instead of what it is.

  “Many mistakes exist in this system and we need to remove them.” says Humbatz Men, offering his last word on the matter.

  Perhaps this is something for us to reflect on as we approach the end of the cycle and look forward to whatever comes next.

Posted at 7:28pm and tagged with: maya, mayan calender, end of the world, apocolypse, one column, long count calender, mayan calendar,.

My last post, which dealt with the subject of ‘Why libraries matter’ highlighted the impending closure of 90% of Newcastle upon Tyne’s public libraries as part of an enforced £90,000,000 budget cut that is savaging my city’s arts and culture sector under the banner of austerity. I mentioned how, in response to this, concerned citizens have formed the fledgling group ‘Save Newcastle Libraries’.

  Last night, under this banner, something quite remarkable began to take shape.

  In sub zero temperatures, with the snow falling down on us and the state of the frozen roads causing traffic chaos, approximately one hundred and fifty people marched through the city centre, united by their love of libraries, books and learning; determined to defend them for future generations.
  I was one of the one hundred and fifty people and I made these signs to take with me, borrowing quotes from people I respect and admire; Ray Bradbury, Neil Gaiman & Stephen Fry.

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Here I am holding them in front of the central library.

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  We marched through the city until we reached the Civic Centre, where councillors were meeting to discuss and possibly ratify the impending death blow to the kind of buildings that raised and educated Ray Bradbury and allowed all of his wonderful stories to come into existence.  

  When we got to the building the doors had been left open, so we marched inside. We marched past bewildered looking employees, carrying with us the banners of libraries, of books and of stories. Nobody tried to stop us. How could anyone argue against people loving libraries?

When we got to the council chamber we went inside. We sat down in the plush leather armchairs laid out for council members and we waited for the councillors to arrive and for the meeting to begin.

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  Importantly, we did not seek to riot, we did not seek to threaten anybody. We sought dialogue and open discussion on an issue of vital importance. We wanted to tell the councillors WHY libraries mattered to us; the public. We wanted, so badly to tell them why they were important, why we needed them, why our children needed them. We wanted to talk about the terrible, horrible effects that denying these services to people in the poorest sectors of society might have on the cultural growth of future generations and the dreams of children growing up in those areas. We wanted them to consult us and not simply abandon our public libraries to destruction in a cultural fire-sale.

  So we waited.

  They did not come.  

  A few, it is true, milled nervously around the doorways, one or two were kind enough to chat to us, off the record. But the meeting we had hoped for did not take place. The chamber remained entirely empty of elected officials.

  Eventually some policeman arrived, looked around, saw that nobody was breaking any laws by wanting to attend a public meeting in a public building and, quietly, they left again.

  Later we learned what had happened. We learned that the councillors had moved themselves to another part of the building. We learned that they had carried out their meeting in secret and out of the sight of the ordinary people who so desperately wanted to tell them why libraries matter and plead with them to think again about averting their impending destruction.

  We wandered away, one by one; back out into the cold winter night. Had we achieved something? had anybody listened?

  The press had.

  Our “occupation” of council chambers was given extensive coverage the following day and thankfully it was largely libraries, not revolutionaries, being discussed in plenty.

  Tomorrow, the danger is that the press will have a new story to cover…but we are still here; still determined to save our libraries from destruction. We still have our signs and our placards and we still have our beliefs that public libraries are indispensable treasures, too precious to be cast onto the winter bonfire and burned away, never to be seen again.

  We will still be here tomorrow and we will still be here next week and next month and next year. We will not fade away. We will not be ignored. We will grow stronger and larger as the closures draw near and we will not give up.

  We will save our libraries from destruction.

  True story.

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You can sign a petition to help us here.

Thank you for liking, sharing and reblogging.

Michael. 

Posted at 11:10pm and tagged with: libraries, neil gaiman, ray bradbury, save libraries, one column, stephen fry,.


“You don’t have to burn books to destroy a culture. Just get people to stop reading them.”

                                                                 Ray Bradbury.

Earlier in the year, I wrote a reflection on the passing of Ray Bradbury and the vast influence his imagination had on me during my childhood. What I failed to touch on was the shared link that allowed Ray to find the inspiration and answers he needed for his stories and which, in turn, allowed me to seek out his finished works decades later.

  Ray Bradbury grew up during the Great Depression in Waukegan Illinois. They were tough times. He would often resort to writing stories on the back of leftover butcher’s paper and, later, would do so on a pay by the hour typewriter in a public building. He did not attend college; he hadn’t the resources to do so. Instead, as he told the New York Times in a 2009 interview, he got is education from a freely accessible, vital public amenity.

 “Libraries raised me,” he revealed “I don’t believe in colleges and universities. I believe in libraries, because most students don’t have any money. I couldn’t go to college…we had no money, so I went to the library three days a week for ten years.”

  It was in libraries that Ray Bradbury, perfected his craft through the consumption of books, absorbing, through the free access his library gave him, the stories of Robert A Heinlein, Arthur C Clarke, Jules Verne and Edgar Allen Poe and shaping his own writing style. It was in a library that he began writing a novel called The Fireman on a typewriter he otherwise wouldn’t have been able to afford. This book was, of course, to become perhaps his most famous work; the dystopian polemic Fahrenheit 451: a vision of a future where books are burned and the public is encouraged to while away their free time distracted by mundane television soap operas and barely disguised pornography.

  If this all sounds worryingly familiar to you then it is no surprise. We are living in an age where reality television garners more attention in newspapers than reality itself can manage, where independent bookshops are closing their doors every day as the world opts to downloadFifty Shades of Grey.

  And of course, everywhere you look, there’s that buzzword ‘austerity’. Like Ray Bradbury we are living through depressing times of our own, particularly here in the UK, where I currently write from and where, with gallows humour, one author recently joked that “the only thing not getting cut is the grass”.

  I come from a working class background. My father was a steelworker, left unemployed by Thatcher during the eighties so I know a thing or two about living through hard times. I grew up in an old mining village in the North East of England miles from anywhere and where there was little to do and even less to do it with.

  The one thing we did have in the village was a local library and I looked forward to going there as a family every Saturday and coming home with three new books to read across the following week. These books were an escape from the grey monotony of life in rural England, sending me on journeys across the red landscapes of a Martian city, through the misty mountains of Middle Earth or past the alluring architecture of a faraway continent that was all too real.  These books inspired me as a young boy.  The library, for me, was a palace of imagination; it took the boundaries that working class life otherwise set out in clearly marked hazard signs and encouraged me to look beyond them, to look beyond the horizon itself, to never stop looking at life from new and fascinating angles. It gave me hope for the future.

  The library gave me a lot of other, more immediately practical things too. In an age where the internet and Google was still little more than the stuff of science fiction, it gave me access to information. It gave me answers and ideas for projects and importantly, thanks to librarians who both knew and were genuinely enthusiastic about their job, it could even get me the ones it didn’t have readily available.

  The library mattered and, without it, all of that would have been gone. I wouldn’t have had the same education. I wouldn’t have had the same ideas. My imagination would have been curtailed instead of being fed and encouraged to grow. Most importantly, I wouldn’t have had the same dreams and I doubt I ever would have picked up a pen to write. 

  Last week I read about Newcastle City Council’s plans to impose £90 million worth of public spending cuts on the city. First to go, if such plans succeed, will be the local libraries.  Of eighteen in the region, ten will be slashed in a cultural fire-sale that is already impacting on theatres, cinemas and many other gathering places where people traditionally come to channel the imagination and give birth to dreams.

  The council states, in its defence, that the public will still not be less than one and a half miles away from its nearest library.  That’s not good enough, I’m afraid. It wouldn’t have been good enough for me as a boy; just as I’m sure it won’t be good enough for children today. I could walk to my local library in five minutes as a youngster. If I were growing up under such a proposed future then there would be no way for me to do so. It would have been unaffordable and any benefits that a central library might have offered would have been lost to me. I wouldn’t have gone. I wouldn’t have read any of those books. I never would have dreamed.

  The council may argue that times have changed, that the world is now living in a new technological age where answers can be found at the push of a button and books can be downloaded to electronic tablets without the need for hard copies. This argument is full of fallacies. First of all, libraries are not some archaic, dusty old buildings, filled with confused people trying to read books by swiping the covers with their fingers. They have adapted and grown to become vital technological resources for the community. Visit any one of them and you will find just as many people job searching, looking up records, emailing, researching, scanning, printing and yes, just like Ray Bradbury all those decades ago, writing! Not everyone has access to a computer, just as the young, poor Ray Bradbury had no access to a typewriter. Not everyone has access to transport or the private book collection of the rich men and women who populate our government.  Similarly, and this is just as important, not everyone has the knowledge and ability to do everything on their own. The internet may be a wonderful source of information but it can also be an overwhelming, colossal and frequently apocryphal starting point. This is where the importance of librarians who now face unemployment, early retirement and the handing over of their knowledge to volunteers under proposed ‘big society’ measures can and do offer a critical service to the public. I can summarise it no better than by quoting a wonderful British author:


“Google can bring you back 100’000 answers; a librarian can bring you back the right one.”

                                                                 Neil Gaiman

That’s not intended as a slight on technology or the wonderful things we can do with it and the huge benefits it has brought to society, instead I see it as a loving endorsement of librarians and libraries as places where you can be assured of not just finding an answer but of receiving the help you need to find the answer. It’s about the proliferation of education and truth amid a sea of misinformation and ignorance.

  On Tuesday evening, I listened to the North East author, David Almond give a moving speech about a recent trip to Japan, a country I feel a deep affinity for and was heartbroken to see ravaged by natural disaster in 2011.  Japan is a country undergoing a true recovery in every sense of the word, rebuilding all over again just as they did following the horrors of Hiroshima.  While he was there, David spoke to the Empress of Japan. She didn’t speak of cuts to public spending, of a tightening of belts or of a freeze on culture during the rebuilding process. Instead she talked about books. About how much she loved them and how her own children loved them. She talked about the desire…not just the desire…the necessity to rebuild libraries and reintroduce books as part of that rebuilding process.

  “Then,” concluded David solemnly “I came home to find this going on!”

  The council, of course, are under pressure from above; from the rich ruling elite who never needed to rely on the facilities so many of us, not just in England, but across the world, found vital while growing up and, in many cases, still rely heavily upon. Facilities where books were read and were written, where people found free access to education and information, where technology was available to all backgrounds, empowering people from all walks of life to think big and to dream even bigger.

  If the council, indeed if the government thinks that we, the people, will willingly surrender these great egalitarian inventions to pay for the mistakes of the rich, then they may find they have a bigger fight on their hands than could ever have anticipated.

  George Osborne: I urge you to open your window, stick your head outside and take a good long listen to the sound you can hear. It’s not the faraway ringing of the Fireman’s bell. It’s not the crackling of a dystopian bonfire. Nor is it the shuffle of ordinary folk going quietly into the night, grumbling about your decisions and resigning themselves to sacrifices made for some perceived some “greater good”.

  No, it’s the sound of an alarm bell ringing, of a protest gathering. It is the sound of the people saying “no”. Public services matter. Dreams matter. Information matters. Books matter and because all of these things matter: libraries matter.  Listen carefully to that sound, George. It’s the sound of people who matter.

  There will be no bonfires on our watch.

—————————————————————————————————

Please show your support to prevent the closure of city libraries in Newcastle upon Tyne by taking a moment to visit and sign petitions at the following links:

https://www.facebook.com/SaveNewcastleLibraries

http://www.chroniclelive.co.uk/communities/newcastle/2012/11/13/the-children-s-laureate-backs-chronicle-campaign-72703-32222790/

Posted at 8:11pm and tagged with: libraries, austerity, ray bradbury, neil gaiman, one column, save libraries, newcastle upon tyne,.

I haven’t been posting on here for a few months now, mostly due to a mix of life and work keeping me away from the keyboard. However I haven’t been entirely idle in my spare time. As well as continuing work on a very long short story that is rapidly turning into a novelette I have been making a new website to better store and collect my short writing together.

I’m happy to say that the new website is up and running now and can be read at:

www.shoeboxofstories.com

At the moment it collects together the majority of stories I have posted here as well as online links to my published writing and a new blog I intend to use quite frequently.

I haven’t really decided how best to make this Tumblr compliment it yet but I will continue updating both as and when I have something new to share.

Michael 

Posted at 6:41pm and tagged with: one column, new website, creative writing website, short stories,.

Followers of this Tumblr may have noted the occasional mention of my sporadic adventures into the printed medium via the good folk at Novel Magazine.

I’m happy to report that this now looks set to become a regular bi-monthly tradition beginning with the release of July/August’s issue which is themed around ‘2012’ and looks like this:



Inside, among the various armageddony type discussions taking place, is an article I wrote discussing the fact and fiction behind the Mayan Long-Count calendar and what it tells us about what is (or isn’t) going to happen on 21st December 2012 (clue: it probably isn’t what Roland Emmerich would have you believe!)

The article looks something like this in print:

You can read about Novel Magazine here.

Posted at 9:52pm and tagged with: one column, mayan calendar, 2012,.

This is probably the longest short story I have uploaded to the shoebox. I wrote it on a battery powered laptop during a torrential rainstorm and power outage. When the rain cleared and the power was restored the story was finished and I quite like the results.

I would like to dedicate it to the memory of Ray Bradbury; whose imagination was powerful enough to fill endless rainy days.


——————————————————————————————————————-

It was raining on the day that I was told this story.

  It was not the ordinary, everyday sort of rain that requires an umbrella on the walk to work. Neither was it the sort of fine, misty spray that can be refreshing if enjoyed while out strolling on a hot summer’s evening. Instead, it was the sort of rain that trapped folk indoors, the sort which left braver, or perhaps more foolhardy, souls shivering under overflowing shop awnings, soaked to the skin and cursing their earlier optimism. It was the sort of rain that needed its own special category to properly define it and the locals, who lived and worked in Carmen-upon-Sea, the peculiar British seaside resort that my work had taken me too that morning, had their own term for it:

  ‘It’s bucketing down,’ the blind man warned me; addressing me from the armchair that sat in the corner of the hotel lobby.

  Bucketing down.

  That would do, I thought, and I jotted it down in my notebook.

  I remember dressing earlier that morning, listening to the rattling from beyond the hotel window, and hoping that the weather might abate somewhat; that things might brighten in an hour or so.

  They did not.

 I can remember thinking, as I munched my way through a restorative full English breakfast and the customary marmalade on toast that followed, that perhaps the early afternoon would bring some respite.

  It did not.    

  Eventually, having read everything worth reading in that morning’s newspaper and having completed as much of the crossword as I felt able or inclined to do, I became resigned to the fact that the downpour was unlikely to stop any time soon and so, pouring myself a fresh cup of coffee, I made my way out into the hotel lobby.

  It was here that I stumbled upon, indeed almost tripped over, the elderly gentleman in the dark glasses. He sat facing away from me, his eyes pointed in the direction of the window where the water ran down the pane in long, heavy, lonely streaks.

  ‘It’s bucketing down,’ he said and I nodded, only realising the futility of my gesture as I noted the cane he kept propped by his side.

  There was a seat free directly opposite him, separated by a little coffee table that housed a haphazard pile of brochures for local attractions and a small china pot of tea that the blind man had evidently been working his way through before I arrived on the scene.

  Thinking that I might leaf through the brochures to find some alternative plan for the day, I remember asking to join him and, indeed, I can still recall the welcoming way in which he replied, with a sweep of his hand and a smile.

  He was an old man, that much had been obvious from my first glance, but he looked not just old in years, but also old of time; as though he belonged to a generation that only existed in picture postcards; a relic of British summer holidays spent wandering along the promenade or picnicking upon the high, golden sand dunes.  He wore a crisp, white suit with colourful braces that held up his trousers at the unusually high level that folk of a certain age seem to eventually settle into.  His shoes were golden brown, polished like the sands that, somewhere beyond the rain, stretched outwards towards the salty spray of the ocean.  On his head, covering thin wisps of whitish hair, there sat a cream coloured trilby decorated with a neat little bow. All of this detail only helped set off the dark glasses that covered his eyes; a pair of bushy, grey eyebrows nestling, like slumbering beasts of legend, above them.

  While I began rummaging through the brochures, mostly maps and advertisements for local restaurants, we got to talking. It had been idle chitchat at first, remarks about the awful weather, quickly moving on to chatter about the town itself and the nature of my visit.

  I can still remember the smile that lit up on his face when I told him I was a journalist and that I was here researching a story. He didn’t seem interested in what the story was, rather he used it as a prompt; an opening to move the conversation in the direction he evidently enjoyed best of all.

  “I can tell you a story,” he said to me, his lips stretching out into a full blown grin.

  “Oh, yes?” I remarked, paying only mild attention as I examined the lunch menu of a local restaurant.

  “Have you ever heard about the day the Firebirds came to our town?” he asked.

  I was forced to admit that I hadn’t; presuming, in my ignorance, that “the Firebirds” were some sort of touring performance artists of the kind who often visit seaside resorts during the Summer season.

  Perhaps sensing my lack of understanding, the old man leaned forward, conspiratorially, letting his voice descend into a low whisper.

  “Would you like to hear the story?” he asked.

  From the window pane beside me I could hear the rain hammering down as strongly as ever. The clock in the lobby was ticking in a gentle, steady rhythm and I can still remember taking a long sip of coffee, smiling back at him, and telling him that yes, I would like to hear his story:

  ‘I was but a boy,’ he began.

*

  I was but a boy when they came. My sister and I had spent the day before in a feverish excitement, packing our miniature suitcases and gathering together last year’s bucket and spade from our father’s shed. I can remember how it was still coated in the lingering residue of last season’s sand and smelled faintly of the salt of the sea.  Our mother had wanted to buy us new ones and had, on several occasions, expressed a desire to throw the old ones away, but we had stamped our feet and insisted on keeping them until the following summer. 

  We had plans, you see. On our previous holiday we had spent the long sunny days constructing, not just sandcastles, but sand kingdoms; great high fortresses of packed wet clay surrounded by deeply dug moats; dark brown rivers filled laboriously with the seawater we had painstakingly carried back and forth from the foaming spray that surrounded the beach.  We built the castles high and proud and the moats deep and treacherous and we populated them with imaginary characters plucked from the realms of our daydreams. Other children tried to join us at our building but we shooed them away, chased them back to their own substandard, unimaginative kingdoms. Here, in our spot, we were kings and queens of the beach and, such was the pride and good manners of folk back then that nobody looked to interfere with our creation.  Even the ocean kept a respectful distance from our kingdom; occasionally washing away the odd barrack that intruded on its domain but never entirely demolishing the foundations we had put in place.

  So, when the following summer rolled around then, of course, we wanted those same magic buckets; wanted to recreate the holiday gone, to take back our kingdom from the waves and the rogue children of other seasons who we realised, by now, would have conquered it and laid it to waste.

  In the end, we never got the chance.  On that first morning the Firebirds came and I could see the fear and confusion in my mother’s eyes as she woke us.

  What is it, June?

*

  ‘What is it, June?’ he said, and at first I took this to be some part of dialogue from his story, that maybe June was his mother’s name and that, in the scene I now imagined in my head, this was his father coming to question her on why she was waking the children in a state of such apparent fright and concern.

  It was only after the second voice spoke, elderly and feminine and from somewhere directly behind me, that I realised that the blind man had detected the presence of another in the hotel lobby.

  ‘It’s time, Edward.’ said the voice and I turned to see her.

  For how long she had been standing there I couldn’t be certain. I had grown entranced by the old man’s storytelling and the eyes that were hidden behind his own dark glasses would most likely have never seen her coming…would mostly likely have never have seen anything at all for a very long time.

  She was elderly too, less of a picture postcard than he was but still with the air of something quaint and peculiar that refused to be drawn into focus.  She wore smart trousers and a blouse buttoned up behind a long flowing coat. Her hands bore dark lace gloves and on her head she wore a tightly wrapped headscarf.  I couldn’t tell, as she approached us, whether or not she had just come in from the rain or was thinking of heading back out into it. It seemed a peculiar way to dress simply to take tea in a hotel lobby, although, as she drew nearer, it became apparent that her clothing was as dry as her tone.

  ‘Do you have them?’ she addressed the blind man; paying scant attention to myself.

  The blind man sighed and looked vacantly in my direction.

  ‘Time for my medication,’ he explained, patting the sides of his burgeoning stomach. ‘Diabetes,’ he offered by way of further exposition ‘Type two, fortunately,’ he smiled.

  The gloved lady seemed unimpressed as Edward patted his various pockets before offering a resigned sigh.

  ‘I must have left them in the hotel room, June.’ He offered in apparent resignation. ‘I’d better go fetch them.’ he said, taking his cane in hand and hauling himself to his feet with the traditional creaking, old man’s sigh.

  ‘Aren’t you going to introduce me to your friend, first?’ said the gloved lady.

  ‘Oh, yes’ said the blind man, turning back to face me.  ‘This is my sister, June, who I was telling you about,’ he said with a smile and, turning to face her, added ‘our friend here is a journalist, I was just telling him about the day the Firebirds came, perhaps you’d like to tell him the rest while I pop upstairs and fetch my tablets,’ he added.

  The gloved woman seemed to grimace slightly and then raised her eyebrows as he wandered off across the lobby, the click of his cane joining the steady tick of the clock and the drumming of the rain on the window pane.

  She took a seat opposite me, in the armchair vacated by her brother and taking the china teapot, poured herself a fresh cup of hot, black tea, stirring in some cream from the little white jug that accompanied it and watching as it dissolved in a slow hypnotic swirl.

  ‘So,’ she said ‘my brother has been telling you his stories I gather,’ a thin, weary smile creasing her lips. ‘Firebirds, was it?’ she asked, as she took a sip of tea.

  I explained to her the essence of what her brother had told me so far and she nodded with a painful expression on her face.

  ‘My brother always did have a vivid imagination,’ she began.

 

*

 

  My brother always did have a vivid imagination; far better than my own. This was despite him being a good two years younger than myself. I remember the previous summer when he had kept me entertained throughout the whole holiday. He was still quite small and rather scrawny so I’d help him build the sandcastles on the beach and act as a water-carrier while he dug out the moats with his spade.  We built quite a kingdom that summer, as he may have already mentioned to you, but Edward was always the architect and it was always Edward who populated the castles with imaginary folk.


  At the back of my own mind there was always my nagging consciousness of the frowns that masked our parent’s faces; a growing sense of fear and foreboding. They had lived through the previous war and they recognised only too well the dark cloud that was sweeping across Europe and which, inevitably, would come to our shores.

  I think that even now, Edward still thinks of the summer that followed as a holiday instead of a retreat.  The hotel was supposed to be a gathering point for those of us who lived in the coastal areas; a place where children could be grouped together, kissed farewell by their worried parents and taken away to a safe place in the countryside.  Perhaps mother and father explained it to him as a holiday, or perhaps he convinced himself that this is what it was in order to blot out the truth. I can’t be sure. All I can remember is mother waking us that morning in a frightful state and father dashing about outside the hotel door, talking in deep and urgent tones.

  We were up and washed and dressed quick as a flash and bustled downstairs to the lobby where other grown-ups frowned at us with that awkward expression they always wore when trying, badly, to conceal their concern from their children.

  There were a lot of children gathered that day. A few, like me were unnerved by the adult’s behaviour but others like Edward ran about the lobby shrieking and laughing and having a whale of a time. We could hear the sirens whirring from outside, the younger ones like Edward and poor little Johnny Mercer thought it was all a terrific game and ran about the place with their arms outstretched, lost in their own imagination.  After a time I lost sight of Edward and when mother came to ask me where he was I knew I was in for a scolding. I was the eldest; I was supposed to be looking after him you see…Well, it wasn’t my fault he got out. They were supposed to be the grown-ups…they never should have left the kitchen door unlocked. Not with what was going on outside. I can still remember the barbed wire they’d started erecting along the beach and those blasted things they buried in the sand.  They were supposed to protect us…

  Here they are…

*

 ‘Here they are,’ said Edward, emerging from the lift at the corner of the room and rattling a bottle of prescription medication as he made his way over to where we sat.

  I awoke from his sister’s portion of the story, as if emerging from a deep and powerful dream, the hammering rain on the window suddenly fading back into consciousness and the ever present ticking of the hotel lobby’s clock replacing the blustery noise of the one she had described mere moments ago.

  She rose from the seat and motioned him to take it.

  ‘There you are,’ she said to him in a reproachful voice. ‘I’m going to see if I can locate some umbrellas from the manager, were going to need them if we’re to ever make it outside today.’ She flashed me a knowing smile and then turned back to her brother ‘You just sit yourself down here and be sure not to bore our friend with your stories; I’ll be back by the time your tea goes cold.’ She smiled again. There was a hint of concern in her eyes; concern, I felt, over what it was that she fancied that Edward was going to tell me next. It seemed to flicker and spark for a moment, then dissolve in those deep brown pools as she turned away and headed off out into the corridor.

  I turned back to Edward who had settled himself once more into the deep folds of the armchair and watched silently as he shook two tiny capsules out of the plastic bottle and noisily gulped them down with a slurp of tea, making an openly disgusted sound as he swallowed.

  ‘Did June get very far?’ he asked, his voice croaking back into life as he returned to the story at hand.

  I explained to him that, at the point where his sister had left off, he had just gone missing in the hotel lobby. He twisted his face in response.

  ‘That’s the way she tells it,’ he explained as the rain thudded ever heavier against the window pane, ‘but in reality I knew exactly where I was going…the Firebirds were here and I wanted to get a look at them.’

*

   I wanted to get a look at them but I knew that Mother and Father would never have allowed me to even take a peak outdoors while the Firebirds were about.  They were scared stiff of the things; all the adults were. They didn’t understand them and so, because they didn’t understand them they went running around scared, locking everybody up so that nobody else had to understand them either.  I sought out Johnny Mercer. I knew him from school and he was a tricky little blighter. His father worked at the natural history museum and Johnny picked up all kinds of interesting second hand information as a result. He was a great collector of bird’s eggs, in the days when this was considered an appropriate hobby for a boy and not an illegal activity monitored by some bureaucratic environmental busybodies. I knew he’d be interested in the Firebirds and I knew he’d be having the same thoughts as I was and so I sought him out. Once we were together, the adults mistakenly thought we were safe in numbers. That’s always the way that children fool their parents and always the way they ultimately get into all the sorts of trouble that their parents mistakenly think will happen if they are left on their own.  I’m glad I never became a parent; I wouldn’t want to transform into such a senseless creature working on such odd, flawed logic.

  Anyway, giving mother and father the slip wasn’t a problem once Johnny and I put our heads together. Giving June the slip was even easier, she was so preoccupied with having been given a bit of responsibility that she let her natural instincts slide and, just like that, Johnny and I were away, sneaking out back through the hotel kitchen and out into the rubbish strewn back streets beyond the hotel.

  It was exciting to be out that morning.  Everywhere you could sense a sort of abandonment in the streets, as people shut themselves indoors thinking that the Firebirds might attack them if they set a foot outside.  We could smell the salt of the ocean in the distance and, ordinarily we might even have heard the waves crashing over the timid, frightened silence of the town.  Except that something else filled the air that morning; a strange, fluctuating cry that dipped and dropped, rising and falling in intonation.  I was a little scared at first, until Johnny explained to me what it must be; that it was the song of the Firebirds.

  Johnny had stolen away some breakfast, a couple of rolls spread with strawberry jam and filled with cheese plucked from the table of a rich hotel guest and we munched them as we wandered down the empty backstreets of Carmen’s dustbin lined alleys; the song of the Firebirds echoing and vibrating until, finally, we came out onto the street that connected with the seafront and in the distance saw the rolling blue of the ocean rising in a lovely, inviting swell beyond the golden dunes.

  I was so distracted by the beauty of the waves, evoking, as they did, that magical summer of the year gone that at first I didn’t notice Johnny standing frozen by my side, his arm arcing upward, one wavering finger pointing at the sky; at the shape in the sky that soared and suppurated and bent time in half as it hopped, skipped and jumped, flickering, burning, melting the clouds as it swooped.

  The Firebirds were here.

  The manager had no umbrella.

 *

  ‘The manager had no umbrella,’ June’s voice interjected as she wandered back up to where we sat ‘it seems they’ve all been taken this morning,’ she gazed at the hammering on the window. ‘I’m not surprised, looking at that downpour.’

  Part of me became cross. I was growing slightly tired of these interruptions and I knew, before she even made her follow-up comment, that this is what Edward’s sister was doing now; interrupting. That she was wilfully trying to prevent the story reaching the conclusion that Edward intended to take it to if given half a chance. 

  It seemed she sensed my irritation.

  ‘Well,’ she said ‘I suppose I’ll go and change, given that it looks unlikely we’ll be heading out in this,’ and, turning to me, she added ‘I do hope Edward isn’t keeping you from your own business.’

  I sensed the implication suddenly present in her tone, that the story had gone far enough now and that it was time for this stranger to move on; that I had no right to hear about what happened next, about what happened with Edward and the Firebirds. That this wasn’t what I had come to Carmen-on Sea to research and that, perhaps, it was something that nobody ought to be looking into too deeply.

  I smiled back at her and assured her that I was as much a prisoner of the rain as her brother and that I found his company quite pleasant.

  June seemed to take this comment on the chin and assuring Edward that she would be along to collect him shortly, disappeared off in the direction of the lift.

  Edward smiled back at me, as if the interruption had never happened.

  ‘They were incandescently beautiful,’ he continued.

 *

  They were incandescently beautiful. Radiant, magical creatures; they must have been thirty feet long if they were an inch, which they most certainly were not.  They soared through the early morning sky, dipping and pirouetting through the cloud. They didn’t fly like an ordinary bird, instead they seemed to bend space, as if the sky somehow moved around them so that they might wink out of existence at one point and reappear thirty yards away from some unseen vent. They tore holes in reality…and they burned, red and golden and beautiful. They torched and singed the edge of clouds as they swooped, their giant wings outstretched. Terrifying in scale and yet utterly bewitching. Johnny and I couldn’t take our eyes from them.  And through it all they called out, that strange hypnotic cry, rising and falling and echoing through the streets; a strange alien cry from creatures without mouths; without beaks or claws or anything so hard and permanent.

  I couldn’t help but gawp at them, despite the slight pain I felt from staring at them too closely and, as such, it was several minutes before I noticed Johnny beckoning me from the distance, crying out over the Firebirds call for me to follow him down to the sands of the beach.  I ran after him, my head still turned up to the majesty that soared and dipped above me.

  It was Johnny, drawing on all of that second hand information passed on to him by his father, who came up with the theory that the Firebirds were protecting something; something of immense value to them…something Johnny desperately wanted to add to his own private collection.  When I got to the beach and saw the barbed wire, I figured he must be right; that the adults had already found what the Firebirds had buried in the sands and that they wanted a piece of it for themselves. Perhaps this was why the Firebirds had come, to make sure that the adults didn’t get a hold of their treasure.

  And yet, there was Johnny already ahead of me, at the spot where June and I must have built those great rolling kingdoms the summer previous; digging, furiously digging up great piles of sand; scooping it up with both hands.

  ‘I’ve found one, Eddie,’ he was yelling at me, his voice a tiny crackle beneath the Firebird’s wail, ‘I’ve found one!’

  It was then that I felt something connect with my shoulder; felt the brief terror at the thought that one of the Firebirds, seeing what we were up to, had ripped its way down through those invisible vents in the sky and now sought to carry me up and away into the sky; to carry me up to a great height and then to drop me, to dash me on the rocks and put an end to my curious nature once and for all.

  Instead, when I saw the rough, worn hands that wrestled their way around my waist, holding me still, putting an end to my wriggling, I knew that I was safe…and yet in an altogether different kind of trouble.

  ‘Edward, thank Christ,’ the voice had said and I recognised it as belonging to Mr. Thomas, the local butcher. He was, so I would later learn, part of a search party that had been sent to find us, once June had sheepishly revealed our disappearance to the adults.

 ‘What on Earth were you thinking coming out here when those blasted things are flying over, and to the beach of all places,’ he yelled at me and I became scared because this wasn’t the friendly, smiling face I was used to seeing behind the butcher’s counter but a mask transformed by terror.

 ‘Don’t you know what we put out here, Edward? Hasn’t your father warned you about…Oh, Christ!’

 I felt the hands loosen and the voice rise in sudden panic.

 ‘Johnny! Johnny Mercer, for God’s sake don’t move! Don’t touch that thing!’

  It was the last thing I ever saw:

  Mr. Thomas, the bulky, friendly butcher who would tell me jokes while our mother bought sausages, now sweating profusely in his grubby white uniform, dried blood still spattering the sleeves in gory Rorschach patterns, his feet pounding through the wet, heavy sands towards Johnny…little Johnny Mercer, who loved wildlife and collected eggs and believed in Firebirds and had a grin the size of a Cheshire cat as he called out to me:

  ‘Look Eddie, I found one!’

  His tiny white hands tugging at the sand and prying loose his final treasure, the shiny Firebird’s egg he had found half buried. He hauled it up into the air, wrenching it free of the wet clay that ought to have held it a prisoner.  And then…Well… time seemed to slow and I can remember Mr. Thomas screaming; a terrible, mortified scream and the sudden silence as the Firebirds fell silent and time seemed to freeze entirely for an instant; freeze on that image of Mr. Thomas diving towards Johnny.

  And the egg cracking open in Johnny’s hands.

  And a terrible blinding light.

*

 Outside the window, the rain began to fade a little and the ticking of the hotel lobby’s clock was replaced by the solitary chime that marked the passing of another hour.  Edward too fell silent and it took me a while to understand that his story was over.

  I sat in silence, a hundred questions running through my head as I watched him reach up, his hand trembling slightly as he slowly removed the dark glasses from his face, placed them on the table in front of him and, keeping his eyes firmly closed, reached for the handkerchief he kept in his top pocket, dabbing them at the corners before clearing his throat with a polite little cough.

  ‘Would you excuse me for a moment,’ he asked me kindly ‘I feel nature calling,’ and taking his cane, but forgetting to replace his glasses, he rose and wandered off in the direction of the hotel lavatories.

  I wasn’t alone for long. I felt June’s presence by my side a moment later. Whether she had ever really left or simply vacated to a suitable distance I couldn’t be sure. She had, however successfully located a pair of umbrellas.

  We looked at each other wordlessly and she answered me as if reading my thoughts.

  ‘My brother always did have a powerful imagination,’ she said ‘and sometimes a powerful imagination is what it takes to hide from things that are too terrible to talk about.’

  ‘How much of it…’ I began to as before stopping myself; it didn’t matter.

  ‘You can find the graves of Bill Thompson and John Mercer, in the local cemetery if you are really interested,’ she advised ‘although I’m sure you have more important business to attend to during your stay.’

  She was right, of course. Besides which, what would the inscriptions tell me other than somebody else’s version of events?

  ‘They never should have put those damned things along the beach,’ she muttered under her breath. ‘In one morning they took more of us than they ever did of them.’

  I nodded, imagining a small coastal town in the grip of paranoid fear, fear of the unknown, fear of an invasion, of real life monsters coming in from the waves, of great gunboats and iron warplanes shelling their town.  They had to keep the children safe somehow. They had to protect the homeland.  What would a child make of it all? What sort of game could he conjure up in his head and what happened when reality intruded on the game in cold, harsh, light and heat and pain and fire? Perhaps a game that never ended, a life spent living in the illusion, hiding from the truth of that final moment.

  There was a cough and Edward reappeared, his eyes still closed, his cane in hand, a slightly unsure, almost embarrassed smile crossing his face.

  ‘Sounds like it’s finally letting up out there,’ he said, in reference to the dissipating rain, ‘still time for a stroll, June?’ he asked his sister.

  She smiled back at him.

  ‘I think so,’ she said and added, turning to me, ‘it was nice meeting you.’

  Edward seemed slightly embarrassed.

  ‘Yes,’ he agreed politely, ‘I do hope I didn’t bore you.’

  I assured him this was not the case and then noticed the dark glasses he had left on the table by the now empty pot of tea.

  ‘Don’t forget your glasses, Edward,’ said June, pre-empting me.

  ‘Oh yes,’ he said, forgetfully and bending down scooped them up.

  And it was there, at that brief moment that he opened his eyes.

  It was only a matter of seconds; the time it took for him to raise the lenses to his face and shroud them once more in darkness, that I thought I saw it; in the hollows where his eyes should have been; a flicker - a strange, beautiful, intransient light that burned and crackled like fire.

  Then the glasses were over his eyes and the flame was put out once again.

  I stood watching as Edward linked arms with his sister and, nodding to me courteously, was led slowly out of the hotel lobby and into soaked streets beyond.

  I sat down, the image of those eyes, or rather of what should have been eyes, now forever burned into my memory and, realising that I had long ago missed my original appointment, I took out my notebook, the one I had planned to fill at the start of the day before the rain fell and the Firebirds came and the storytelling began in the quiet hotel lobby that time forgot.

  Taking my pen in hand I began to write, wondering, as I did so, what new form Edward’s story would take under my own design.

  ‘It was raining on the day that I was told this story,’ I began.

Posted at 5:23pm and tagged with: one column, short story, war, beach, seaside, british seaside, ray bradbury, sci-fi, science fiction, imagination,.


Somewhere a band is playing,

Playing the strangest tunes,

Of sunflower seeds and sailors

Who tide by the strangest moons.

Somewhere a stranger simmers,

And trembles with times forlorn,

Remembering days of summer

In futures yet unborn.


From ‘Somewhere a band is playing’ by Ray Bradbury

———————————————————————————————

   When I was a boy, I remember reading a short story sent into one of the many magazines my father would buy. The story was a piece of post apocalyptic science fiction in which, following some unspecified catastrophe, the last man on Earth would live out his days listening to the wind and slowly going insane from the lack of company. The story chiefly concerned the day in which, out of the blue, the protagonist heard a telephone ringing and, rushing to answer it, was confronted by a voice at the other end asking to speak to a specific person. When the protagonist revealed that he was not the person in question, the caller apologised and hung up. The phone never rang again and the last man on Earth went crazy thinking about his mistake.

  I can remember showing the story to my father and asking him if he had read it. similarly I can remember his reply that, yes, he had read it, but that it was nowhere near as good as the story it had stolen its idea from!

  I didn’t know what plagiarism was at that early age, but I can remember being annoyed to learn that a story I had enjoyed immensely had apparently been plundered from another person’s work.  What cheered me up was the knowledge that somewhere out there, the original story existed, that it was even better than this second-hand retelling and that, in all likelihood, if I could find the original; I would find other stories by the same author that I might enjoy even more.

  After much harrasment by his insistent son, my Dad, who initially couldn’t remember where he had first read the story in question, eventually became fed up of me pestering him about it and went to hunt it out from among his dense library of science fiction.

  He returned with a well worn, old paperback and handed it to me.

  ‘Here you go,’ he said with a hopeful shrug ‘I think it’s in there, somewhere.’

  And it was.

  The book my father had given me was ‘The Martian Chronicles’ by Ray Bradbury and, over the next week, it became my essential bedtime reading as I sat, huddled under the duvet, squinting at the pages via torchligh.  (Note to parents: allow your children to read at night time. Reading by the light of a torch really isn’t good for the eyesight, as borne out by the glasses I have resting on my nose as I write these words.)

  I found the story I was looking for around three quarters of the way through the book. It was called ‘The Silent Towns’ and it was lengthier, spookier, more atmospheric and more darkly humorous than the one from the magazine that had shamelessly stolen its central plot device.

  By the time I reached this story, however, I had already forgotten I was looking for it.  I had become enraptured by Bradbury’s alternative history of Earth; of an Earth where the space race accelerated rather than declined after man found the moon to be a rather dry, uninteresting and expensive to reach piece of rock; of a great migration to another world and of the people and problems that beset them over the decades that followed.  What happened in those nocturnal reading sessions was that Bradbury, a ghost writing from the 1950’s, fired the imagination of a boy growing up in the 1980’s and only kept on stoking it with each new book I discovered.  His dystopian polemic, ‘Fahrenheit 451’, was next on my reading list and educated me on the evils of totalitarianism years before I would encounter similar themes from Orwell, Huxley, Zamyatin and others, while its core identity as a love letter to the preservation of libraries and the printed word was a joy to a young boy who practically lived in them at that age.   The Illustrated Man followed, introducing me to a dark carnival of horror and giving me a taste for the grotesque and the strange that would develop through my teenage years.

  There was always new Bradbury to discover because Bradbury was a man who would wake up in the morning with an idea in his head, get up, get dressed, then head over to typewriter and have the pages of a story cooling on the window of his study by the time the afternoon rolled around.

  ‘Write every day.’ was his advice to anybody serious about becoming an author. It was advice he lived by.

  I had a great deal of literary heroes growing up, men and women who inspired me to want to write my own stories and to keep reading those of others in the face of all the distractions the modern world throws at us. Gradually, as I have grown older, these much loved authors have, one by one passed on. Most of the time their passing has left me saddened as if some small part of the world’s soul departed with them.

  Some, like the wonderful Douglas Adams left the Earth criminally early, others, such as the brilliant Kurt Vonnegut, left when they were good and ready and, in Kurt’s case, rather fed up of the place. Yet as each one passed, Ray Bradbury seemed a constant; Always there and always writing.

  Before the internet made it possible to find out a person’s status with the mere click of a button, I kept expecting the foreward to every Bradbury novel or short story collection I picked up to bring the sad mention of his death. They never did. Instead the books and the stories kept coming. Bradbury kept writing every day, words pouring out of him, fired by the library of knowledge he consumed in his own self educated youth and stoked in the flames of his colossal imagination. Golden words, words from idyllic summer generations gone, where homemade lemonade sparked beneath warm American skies and people still dreamed of rockets and a great many other things.

  For some, I’m aware, he was over sentimental, for others, I’m equally aware, the science of his fiction wasn’t perfect. It didn’t matter to me, it still doesn’t.   I can read the Martian Chronicles once a year and still find new beauty in its prose, even if the dates of the original rocket summer have long since passed without delivering on Bradbury’s great imagination.

  Two days ago I was sitting in a café with my laptop open, writing up my next magazine article when, drawn away by the distractions of the internet (sorry Ray!) I saw the first mention of his death and despite the inevitability, despite him having lived a full and long life of extraordinary purpose and fulfilment, I shed a small tear. Because now, like Adams and Vonnegut, he too was gone and there would be no more dreams of rockets, no more dark carnivals rolling into town to spook me, no more dandelion wine knocked back under the searing heat of a distant sun or Mexicans arguing comically over an expensive ice cream suit.

  What remains, however is a powerful legacy: Twenty seven novels, multiple screenplays and over six-hundred of the marvellous short stories that first drew me in to the imagined worlds of this great storyteller.

  Ray Bradbury left us feeling neither shortchanged or disappointed. There are enough of his stories to last forever and for that I can only thank him, say how much I will miss him and make a promise to him in return.

Somewhere a band is playing,

Where the moon never sets in the sky

And nobody sleeps in the summer

And nobody puts down to die:

And Time then just goes on forever

And hearts then continue to beat

To the sound of the old moon-drum drumming

And the glide of Eternity’s feet.


From ‘Somewhere a band is playing’ by Ray Bradbury

 

 Goodbye Ray and thank you.

 I will write every day.

Posted at 1:02am and tagged with: libraries, martian chronicles, one column, ray bradbury, ray bradbury rip, reading, stories, writing, lit, prose,.